This work, published on the 94th birthday of Diana Scarisbrick, honours her extraordinary career as the 'world's leading jewellery historian'. Twenty scholars, most of whom have known and benefited from Scarisbrick's vast knowledge over many decades, have contributed essays to this book. Liber Amicorum centres around the historian to which it is dedicated, Diana Scarisbrick. The work of the twenty contributors owes much to her own pioneering research in the feeled of jewellery history. The book opens with a brief biographical summary of Scarisbrick's life before exploring her assiduous work in the field of jewellery history. A subsequent bibliography of Scarisbrick's career work is provided which includes articles, interviews, and books published from 1970 to the present day, and serves as evidence of her eminence. The work as a whole functions as a 'small token of appreciation for all that she has contributed to the world of jewellery history'. The essays in this publication cover topics that range from Roman jewellery to the contemporary production of jewellery. Not constrained by a focus on one particular time period, these essays are indicative of the breadth of influence that Diana Scarisbrick's career has had. Contributions cover several different themes: amongst the objects discussed are gems, rings, chalices, bindings and crown jewels. The themes covered include jewel theft, methods of jewellery production, and the collections of individuals. Throughout each essay the insightful historical research of the contributors is beautifully supported by high quality illustrations. These bring the book to life, highlighting the splendour and fragility of some of the objects that are dicussed.

In the spring of 2017, Carla van de Puttelaar developed a new and timely series devoted to prominent and promising women in the art world, Artfully Dressed: Women in the Art World. While working on this ongoing project, Van de Puttelaar became even more impressed by the personalities and achievements of these women. United in their brilliance and strength, they represent a wide range of backgrounds, nationalities, careers, age and expertise. The women are dressed in amazing quality clothes by top designers, in period costumes or vintage clothes, or wrapped in stunning and luxurious fabrics. To date, over 400 women worldwide have participated in Van de Puttelaar's project,and the series continues to grow and has become an important document of the present time of women in the art world.

Interroger les societes, interroger l'Histoire. Qu'est-ce qui serait tabou et qu'est-ce qui ne le serait pas ? Ou se situe la frontiere entre erotisme et tabou ? S'affranchir du joug de l'interdit s'inscrit-il dans une dynamique deviante -donc hors normee- ou entend-il instaurer de nouveaux comportements ? Que peut la litterature face aux tabous sinon que de les mettre au c ur de notre quotidien en nous poussant a les briser ? Sachant que l'erotisme est une composante importante voire meme une constante des litteratures du monde, il serait interessant de s'interroger sur l'usage que la litterature contemporaine fait de l'erotisme. Comment les ecrivains ou plutot les createurs se deprennent des tabous sociaux et quel regard la societe porte sur leurs uvres ?